Tana French

I am not good at noticing when I'm happy, except in retrospect.

I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.

What I am telling you, before you begin my story, is this -- two things: I crave truth. And I lie.

I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack .

When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them.

My father told me once that the most important thing every man should know is what he would die for.

Maybe she, like me, would have loved the tiny details and inconveniences even more dearly than the wonders, because they are the things that prove you belong.

I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better--Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.